To dive into an ancient web
and detonate a charge –
now here come the spiders,
the rude ones, the smilers.
I know a new wind whirls
the clam shell where I curl,
though within, the sound is thin.
The controlling web, will it give?
To dive into an ancient web
and detonate a charge –
now here come the spiders,
the rude ones, the smilers.
I know a new wind whirls
the clam shell where I curl,
though within, the sound is thin.
The controlling web, will it give?
From who I am to sustain a man
in moral constance, who must stand
without those assassin masks
polluting boardrooms and bedrooms.
Tumultuous world competitions–
at root self-struggles–offer one vision
through clash and chance, and costume
our nature in history.
To flourish amid this–like flowers’ roots–
yet debut a singular blue-and-white tulip
nurtured by time-running water
cycling through the soil. . . .
Welcome to Poets for Obama and thank you for visiting us! We have a wonderful archive here of poems published during the election. See below and check it out. For new work, visit the poems published each day during President Barack Obama’s first 100 days at 100dayspoems.blogspot.com. Peace.
Autumnal flaming trees fuel how I feel,
fanning passion in clear certain light, because dawn
offers no sight beyond saved hopes, and birds in enflamed
ruby leaves weave notes of identity and season.
Poem by Gregg Mosson. Gregg Mosson is the author of Season of Flowers and Dust, and an editor of this blog.
Dr. Martin Luther King Jr. said you must vote to have an impact on who receives: Income, Education, Health Care, Housing and Justice. “A vote-less people are a powerless people,” said Dr. King. “The most important step we can take is that short walk.”
If you’re sick of being tired
If you’re really ready for change
Then we gotta walk
Do more than just talk
We gotta get our ballots arranged
You want a bigger piece of the pie
And more than menial wages
If you want higher income
Then you gotta bring some
Ballots to the voting cages
If you really want better schools
You hold the key to the locks
You want higher education
Find a voting station
And walk to that ballot box
If you’re ill but can’t see a doctor
Cause your hospitals are all closed
If you’re lacking health care
Then you’d best beware
Your vote is your only repose
You say you want better housing
And peace in your neighborhood
Then remember your vote
Is the only bank note
That can purchase any good
Finally . . . if you really, truly want justice
Then cash in some bonds and stocks
Make it your pay day
Next Election Day
And walk to the ballot box
And vote for Barack Obama
Poem by Ty Gray-EL. Ty Gray-El is an activist, author and poet born and raised in the nation’s capitol, and can be reached at www.breathofmyancestorsllc.com.
for P.
I.
This rainy morning spent with you enwraps
and warms me by the window, braced for work,
as September’s downpour augurs summer’s end,
a summer in which we made each other legally
one, and live here—together softly and strong—
a conjoining we have chosen and called it home.
II.
I vote because I love my life and those held dear,
aware that greed’s vice-grip is present and prepared
to claim our private world as legally their own
for use in gain. Each private world exists of course
at the same crossroads with the public sphere, and so
ideas of justice are born from private mirrors.
III.
The ancient war god Mars is smiling above, aloof,
and Venus, that wily love, lounges on cloud-puffs,
each awaiting who next will be summoned to bring
their blessings to the massive world.
Poem by Gregg Mosson. Gregg Mosson is the author of Season of Flowers and Dust, and an editor of this blog.
NBA All Star Game, 13 February 1983
This is about Love. About Pain.
About how sweet it is,
the Real Thing.
Direct.
Unrequited.
One-sided.
Can I get a witness?
But he’s known One More Heartache.
He knows all about that.
About Love trapped in the blood no getaway
Even after you’ve gone:
Leave her
My mistake
Leave town
Was to love You
Leave the country.
When did You
Stop loving me…?
Marvin sings.
If this world were mine
He knows words can lie, conceal
Heard it through
The grapevine
Makes this song a promissory note,
Makes (Midnight) love to
The Dream
Hushed, sensual,
Slow healing.
His tribe Last of the Believers
Makes me wanna holler
The only Real Americans left
The way They do my life
Yearning.
Marvin sings. Caresses words.
The nation, fickle,
Seduced by the familiar:
A distant lover persuaded to do right
That’s the way love is
gently
Before she gives up her Secret,
Releases Freedom,
A river, soft as her kiss
All I need to get by
Then strong and sudden, true,
Says, Let’s Get It…
With bombs bursting in air
Can I get a WIT-ness?
By Dawn’s
Early
Light
(Do you know the meaning of
“Been Sanctified?”)
Reginald Harris is the author of 10 Tongues (Three Conditions Press, 2001), and recent work has appeared in The Ringing Ear: Black Poets Lean South and Poems Against War: Ars Poetica.
In the morning, the sun paints Venetian stripes
on my bedroom wall. When a cloud passes,
the pattern fades then returns, a camera
going in and out of focus. The brighter the sun,
the darker the shade: that’s what I like best.
That, and the way we are unable to stop
the stream of information
we open our eyes to each morning, turning toward
the nightstand to read the big and little hands,
waiting for the pattern of stripes to tell us,
as if we were fish turning upstream
and opening the pages of our daily gills,
what kind of life lies waiting.
Poem by Kim Roberts. Kim Roberts is author of two books and editor of The Beltway Quarterly, an online journal based in Washington D.C. This poem first appeared in The Broadkill Review.
Warning—sudden calamitous events
have stunned the most responsible women and men
but broadcasts undust old narratives again.
I think it better to assess my house:
promises honored, self-regards undone.
I find in silence improvement, slightly though,
and so that old battle with myself. I go
and ride that road past the gallery of masks
to reach a field where ancient ghouls and gods
welcome my second self, who knows his roots,
and wrestles the world within, demanding order
and life, while worldly fortunes rise and die.
Poem by Gregg Mosson. Gregg Mosson is the author of Season of Flowers and Dust, and an editor of this blog.
After miles and months of being stuck –
my same old self and all the same problems –
springtime comes to me even ‘though it’s fall
and the old pain melts away, leaving only light.
I find myself standing here
at Charles and Read Streets, like old times,
and, just as in my hippie days,
I’m holding my hand out for change.
Poem by Karen S. Elliott. Ms. Elliott is president of the Baltimore Ethical Society.
Only jazz can understand this—
music the first place Black and White
came together like unwritten notes
in a jazz composition; back then
everybody played what they felt
listened to what each was adding
to the conversation. Miles
enters me on the umpteenth
playing of My Funny Valentine.
I remember the album
Black and glossy like a child’s
face covered in Vaseline, see
faces of musicians he played
with, always ready for new
vibe, the change in music
a collaboration of love,
like Obama’s campaign.–
Poem by Mary E. Weems. Ms. Weems is a professor and author of “”An Unmistakable Shade of Red and the Obama Chronicles” (Bottom Dog Press, Ohio).
The Hour Black is Beautiful
when we
when we can see
when we can see Black presidents
in the Whitehouse that’ll be the day
that’ll be the day my father lives at home
with his wife and his child
until his death will do him part
that’ll be the day I finally find
buying weed and drank is
harder than buying me a book
a book of poems a book of short stories
a book for school
when we can see Black presidents
in the Whitehouse that’ll be the day
where I sit in the dining room
smelling something going on in the kitchen
and I finally know what’s cooking,
it’s my Grandma baking and I can finally ask
what’s that baking Grandma, pecan?
pecan sweet pecan pie
some that there pecan pie
that there your grandson-only sweet pecan pie
that’ll be the day where in Any Ghetto, USA
wherein where the flies can’t even live
shadows of tenements become dull
the snow on the television disappears
with news saying the same headline that
newspapers of the morning will read that
they have news of when we can see
a Black president in the Whitehouse
that’ll be the day I say in Swahili
JEWE
that’ll be the day I say in Swahili
JEWE SIMBA
I AM LION
that’ll be the day I translate
something African to American
Uncle Tom Jim Crow and some
Hurricane named Katrina
have nothing on me
hear the roar
hear the roar
a South Africa plus Mandela
hear the roar
this hour Black is beautiful
when we can see Black presidents
in the Whitehouse that’ll be the day
I say I want my Blackness that’ll be the day
I say I want my Blackness to stay on
I say I want my Blackness to stay on me
Poem by Robert R. Reese. Mr. Reese earned a B.A. in English from Santa Clara University, wrote this poem first in 2004, and holds a fellowship with the national African-American poetry organization, Cave Canem.
What ship in storm, if strong, veers from wrong to wrong,
though the prophets of tidal doom pound their gongs?
There is no crisis, dear, that should bar us from words.
And when words fail, we can embrace each other in our history
together, feel our future in our arms and warm the silence,
as emotions crest and crash, while we steady toward calm.
II.
We live in crisis times, some yell, as desultory
baby-carriages are pushed for walks, millions of joggers
lap parks, homeless near highways still “Will Work for Food.”
Some want to use this crisis to drown words
which might describe the odd normality we live, orbiting—
and veering beyond—whirlpools and anchors of property,
cash, paychecks, credit. . . .
III.
Time to debate, disagree, time to talk
in this election season—voters’ rudder for the times;
our chance should not halt because a temporary shock
has dried the credit flow of funders of the “American Dream.” Cut
through that dream to the tidal dreams and verily speak
for true and fair liberty and the pursuit of living,
where he or she can look in the mirror
and bless back their days.
Poems by Gregg Mosson. Gregg Mosson is author of Season of Flowers and Dust from Goose River Press, and an editor of this blog.